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Survival Research Laboratories (SRL) is a machine performance art group credited for pioneering the genre of large-scale machine performance.〔V. Vale (ed), "Industrial Culture Handbook", Re/Search Publications, 1983〕〔(Mark Pauline ) NNDB.〕 After about 30 years in San Francisco, California, SRL spent most of 2008 moving to Petaluma, California.〔(Petaluma ). Survival Research Laboratories. Retrieved 2012-09-24.〕 Since its inception in 1978 SRL has operated as an organization of creative technicians and technical creatives dedicated to re-directing the techniques, tools, and tenets of industry, science, and the military away from their typical manifestations in practicality, product or warfare. Since 1979, SRL has staged over 45 mechanized presentations in the United States and Europe. Each performance consists of a unique set of ritualized interactions between machines, robots, and special-effects devices, employed in developing themes of socio-political satire. Humans are present only as audience or operators. ==History== SRL was founded by Mark Pauline in November, 1978. The first show was "Machine Sex" on February 25, 1979.〔V. Vale (ed), "Industrial Culture Handbook", Re/Search Publications, 1983, page 40.〕 Throughout the 1980s Pauline was joined by a number of machine artists including Matt Heckert and Eric Werner. Matt Heckert's main work in the group centered on the acoustic and musical parts of performance. He left the group in 1988〔(Matt Heckert ) official website〕 to follow his musical interests, developing the award-winning Mechanical Sound Orchestra (MSO)〔(''Munich Samba'', Golden Nica 1997 ). Ars Electronica. (''Munich Samba'', Golden Nica 1997 ). Radio report. Stocker, Gerfried; Schöpf, Christine (1997). ''FleshFactor: Informationsmaschine Mensch'', Springer Wien.〕 which has toured the USA and Europe extensively. As of late 2012, SRL conducted over 50〔(SRL Chronological Shows and Installations )〕 shows throughout the world, mostly in the Western United States. SRL shows are essentially performance art installations acted out by machines rather than people. The interactions between the machines are usually noisy, violent, and destructive. A frequent tag-line on SRL literature is "Producing the most dangerous shows on Earth." A side-effect of the group's activities is frequent interactions with governmental and legal authorities. Early performances featured animal skins and cadavers animated by mechanical endoskeletons; recent performances feature large and technically advanced robots that reflect a paranoid militaristic imagination. In the SRL workshop, a high value is placed on found or re-purposed materials and machines. An example is ''The Big Arm,'' a telematically controlled robot made from an abandoned back-hoe that drags itself around by its "arm." SRL is considered〔see e.g. Vale, "industrial Culture Handbook"〕 to be a pioneer of industrial performing arts, developing upon groundwork laid by e.g. Jean Tinguely. Many SRL members have gone on to be involved in other avant-garde artistic projects such as the Cacophony Society, the Suicide Club, The Haters, GX Jupitter-Larsen, Robochrist Industries, People Hater, Seemen, Burning Man, and robotics projects such as Battlebots and Robot Wars. SRL has been praised as being one place where many women have had access to machine workshop tools. A RE-Search book is planned; events have been held discussing this theme.〔("Tentacle Session #35 : Sunday 21 July 2002 - The Women of SRL" ). laughingsquid.org.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Survival Research Laboratories」の詳細全文を読む スポンサード リンク
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